March 25, 2026 (Zoom): Cross-Pollinations with Lisa Robertson and Chelsea Rozansky
Join the League of Canadian Poets, the Health Arts Research Centre, and the Canadian Association for Health Humanities for the next iteration of the Cross-Pollinations Virtual Rounds Series.
On March 25, Cross-Pollinations will present "Topographies of the Body", readings and a conversation with Lisa Robertson and Chelsea Rozansky, hosted by Mic Jones.
March 25, 2026
2pm PT/5pm ET
Hosted and curated by Mic Jones
Lisa Robertson
Lisa Robertson was born in Toronto, then spent 25 years on the west coast, on Salt Spring Island and in Vancouver, where she participated in the collective life of artist-run culture, working with Kootenay School of Writing, Artspeak Gallery, and The Western Front, before moving to France in 2003. Her first book, XEclogue, came out in 1993; her most recent book, the novel Riverwork, will be published in May this year by Coach House Books. Two titles have been shortlisted for the Governor General's Awards— Debbie: An Epic, in 1998, and The Baudelaire Fractal, in 2020. She is an itinerant teacher and lecturer, working internationally in the fields of contemporary visual arts and poetry, in institutions as varied as the Banff Centre, the Jack Kerouac School of Disembodied Poetics, Cambridge University, Princeton University, Piet Zwart Institute, UC Berkeley, California College of the Arts, SFU, and American University of Paris. In 2017 Emily Carr University of Art and Design awarded her an honorary doctorate.
Chelsea Rozansky
Chelsea Rozansky is a writer, artist, critic and programmer living in London. She is currently underway on an experimental short film “The Speaking City,” about a pack of cigarettes that are haunting her. Rozansky’s recently completed experimental collection of essays and short stories, Children of That Thing (and other shorts) meanders between fiction and criticism to explore the perverse love triangle between art, addiction and abuse. Rozansky was awarded Canadian Art’s Editorial Residency in 2020, and was C Magazine’s Writer in Residence from 2018-21, where she conducted an archival research project motivated by negative theology that questions notability, collective authorship, and the labor rendered anonymous in the production of artistic discourse. In 2020, Rozansky curated the exhibition Once Very Familiar at United Contemporary. Her art criticism has been published widely, nationally and internationally. She has given a number of public readings and talks, including “Pack Animal: Threadbare,” and “What Do We Think About Andy?” presented by the AGO as part of the gallery’s Warhol retrospective. She is the co-founder of the art collective, The Insane Secret. Rozansky also makes and programs films. She co-runs the screening series Party Favour in Toronto and is a programmer for MIX NYC, New York’s longest running queer, experimental film festival.
Recordings from past events can be viewed on YouTube.
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