“Postcards from Inside the Machine” by Bradley Peters
Poetry Pause is the League of Canadian Poets’ daily poetry dispatch. Read “Postcards from Inside the Machine” from Bradley Peters’s collection Sonnets from a Cell, shortlisted for the League’s Raymond Souster Award.
Postcards from Inside the Machine
By Bradley Peters
peckerwoods
In cuffs, willing myself clean
one pulsating streetlight
at a time while the cop swims
around me with his flashlight
cutting the fog and his face
appears pale and glistening
from the red and blue glare
like something being born.
What are you doing here?
he says and pats me down,
sighs, backsteps, blinds me.
A perfectly nice kid like you.
I’m a straight Caucasian male.
I’m White. I could be his son.
preach
I step into my cell ready to kill
or be killed. Officer, I too love.
Power. Respect. I share your
sense for danger. A Black man
shadowboxes in the corner
of his mind next to bibles
caught between the valley
of the shadow of death
and sizing up his new bunky.
Shirt tucked. Sleeves rolled.
Officer, I too fear the unknown.
He glances up. You religious, man?
I shrug. Well, that’s something
to work on, he says and smiles.
fish
We all watch the dead man
walk across the unit and smile
at each table with his meal tray
like it’s the first day of school.
The dead man looks lost.
He can’t be more than eighteen.
The dead man sports bangles
and a bright red turban to match
the jumpsuit draped on his frame
like PJs. The dead man’s dead
he just doesn’t know it yet.
He grins, clears his throat, nods
at the shot callers. I reach out
to him and touch nothing but air.
torpedoes
The Hills Have Eyes enters my cell.
Me: You can’t be in my room.
Hills: There’s a Hindu on the unit.
Me: Wait. Don’t come any closer.
Hills: The back table wants him gone.
Me: I said stop. Back up, man.
Hills: And you’re going to bounce him.
Me: No. I’m not. Get someone else.
Hills: I said you’re going to bounce him.
Me: I’m just trying to do my time.
Hills: Or I’m going to bounce
your head off this toilet.
Me: Get the fuck out of here!
The Hills Have Eyes exits my cell.
dinner and a show
Meanwhile in Canada an inmate
with a Hitler stache raises red fists
and shouts I’m the king of the world
from the second tier like it’s a pulpit.
Meanwhile in Canada a Sto:lo kid
returns from eighty days in the box
wrists gnarled with paint chips
and tears all the bibles in half.
Meanwhile in Canada my bunky, Preach,
plays aces as a sock lock blooms a pair
of red lips atop his dome and the COs
unload two cans of mace on everyone.
I fall off my chair, shield myself, and later
I stand and return to my cell unscathed.
sock lock
I sense with the knife edge of my eye
bodies shift in the chow hall, looks,
nods, and the white arc of the sock
appears like a scythe of tilting light
above your head. Forgive me, Preach.
I’m not all I hoped I was. That night
we blazed into the toilet’s vacuum
and promised backup, we both knew
it was you who had to fight to survive.
You laugh across the table. I sit frozen
in the moment between grin and lock
and think maybe it won’t come down,
maybe you’re safe, Preach—maybe
it will just suspend above you forever.
taking flight
At lights out I climb metal steps
to go fight The Hills Have Eyes.
His cell is third-last down the tier.
My shirt is tucked, my laces cinched.
I’m resolved and ready for whatever.
The CO shouts ten! The lights dim.
I’m not trying to be some white hero.
Open doorways to my left radiate
Indigo and TV babble and Inmates
shift in the half-light. Two OG’s
cross the unit, nod and smile up
like, go on then, Blondie. I’m trying
to learn my place in all this. I close
my eyes for a bit—then enter his room.
Bradley Peters grew up in the Fraser Valley, graduated from UBC’s Creative Writing Program, and has since been shortlisted or named runner-up for several awards. Bradley won the Short Grain Contest, and his poems have recently appeared in Arc, Geist, Grain, SubTerrain, The Malahat Review, and elsewhere. Bradley’s debut poetry collection, Sonnets from a Cell, is published with Brick Books. Since its release, Sonnets from a Cell was listed as one of CBC’s Best Books of the Year, and Bradley has been a featured guest on Radio Q with Tom Power. The poems in Bradley Peters’ debut collection mix inmate speech, prison psychology, skateboard slang, and contemporary lyricism in a way that is tough and tender, and that critiques the structures that sentence so many to lose.
Subscribe to Poetry Pause, or support Poetry Pause with a donation today!