2020
Review of Understan by Gavin Barrett
Reviewed by Patrick Connors Gavin Barrett lives a life with many layers of creativity. Much of his service to poetry is organizational, such as in curating the Tartan Turban Secret Readings, a series which prides itself on diversity and providing opportunity to visible minorities. However, his writing has also garnered suitable attention, and Mawenzi House…
Read MoreAn Expectation of Enlightenment: walking the Camino
Review of The Way History Dries by Keith Inman Reviewed by John B. Lee “Than longen folk to goon on pilgrimages, And palmers for to seken straunge stronds, To ferne halwes koweth in sondre londes …” Lines from ‘The General Prologue” to Canterbury Tales Geoffrey Chaucer I first met poet…
Read MoreUnhappy, Women Write Poems: A review of Folding Laundry on Judgment Day by Miller Adams
Reviewed by Louise Carson This was a difficult book to read. Not because the poems are inaccessible, or boring, or ugly, but because they are so sad. It’s a book length elegy for a life, all lives – for life itself. It was exhausting to read. (Or did I bring exhaustion and self-recognition to the…
Read MoreReview of Devolution by Kim Goldberg
reviewed by Carole Mertz. Kim Goldberg writes surrealistic poetry that sometimes incorporates formal poetic forms. Many of the 60 poems in this collection use animals or anthropomorphic beings to convey their frequently apocalyptic messages. Shifts from the concrete to the abstract often startle the reader. You will not find cliches in this collection, and should…
Read MoreMusic, Art, Mortality – A Review of Sue Chenette’s Clavier, Paris, Alyssum
Reviewed by Louise Carson. I must have been feeling a bit rebellious the morning I picked up Sue Chenette’s recent collection Clavier, Paris, Alyssum, and, reading out of order (shocking!), began with the central section: Paris. Mainly because I saw it was the shortest of the book’s three sections, a mere thirteen pages. Good, I…
Read MoreWhat the walrus said: a review of Claudia Coutu Radmore’s rabbit
Reviewed by Louise Carson. While Claudia Coutu Radmore may not talk “Of shoes and ships – and sealing wax – of cabbages and kings”, she does, in rabbit, her latest collection of poetry, cover parrots, Elizabeth Bishop’s childhood, Fogo Island, Montreal history in the 1950s, anatomy, geology, folk art – I could go on but…
Read MoreIn the 4 a.m.: A Review of Arleen Paré’s Earle Street
Reviewed by Clayton Longstaff two women together alone in the luminous house When you look out your window, what do you see? Are there trees? (how many?) Birds? (ever-fretting pigeons, circling the feet of passing pedestrians? Or are they predatory where you live—a turkey-vulture, perhaps, solitary, perched on some naked branch, craning his neck to…
Read MoreThat Sinking Feeling: in the broken boat with Daniela Elza
Reviewed by Louise Carson. It was with a sinking feeling in my gut that I started to read Daniela Elza’s the broken boat. Oh no. The end of a marriage. The loss of a husband, intimacy. The breaking of something that the poet had thought would last forever. My own thirty-five year old trauma began…
Read MoreUp North with Gillian Harding-Russell
Book review of In Another Air by Gillian Harding Russell Reviewed by Louise Carson Geography. Do we want poems of a geographical nature? Sure we do, especially in Canada, where we grapple with so much of the stuff. And I love geography. One of my fondest memories is of the whole of my Grade 4…
Read MoreUp North with Gillian Harding-Russell, a book review of In Another Air
Reviewed by Louise Carson Geography. Do we want poems of a geographical nature? Sure we do, especially in Canada, where we grapple with so much of the stuff. And I love geography. One of my fondest memories is of the whole of my Grade 4 class, under the benign dictatorship of Mrs. Rhodes, mixing…
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